Nihiti – For Ostland LP (Lo Bit Landscapes)

I disliked this guy’s previous EP so much that I removed it from the to-review pile, so when I got this one with our current stack, I felt like some poetic justice was unconsciously appearing on my plate. But I did something that often comes back to bite me in the ass: research. I read the guy’s Altered Zones guest post from last year, and while he attempts to rock a metal knowledge and should have kept quiet on that front (Napalm Death did not turn into a self-parody in the ‘90s … those records can be fairly fascinating and sporadically great), he does seem to be fired up about the history of noisy or left-field techno (Napalm Death begat Scorn … that’s how he got from point to point) from the same era, and its development, influence, and inspiration post-Y2K. Once again, here we are at the crossroads of Giving Someone Too Much Credit For An Attribute For Which They Should Not Be Applauded (in this case, it’s simply having a sense of history) and The Musical Climate That Allows For Such Critical/Aesthetic Awards. Oh well, For Ostland is good for some rather dense electronic with pulsating beats and vocal prettiness. Problem is, I wonder if Mr. Nihiti is aware of Flying Saucer Attack’s overlooked masterpiece New Lands (1997) or the first half of the Labradford discography, because this is a warmed-over version of those milestones and less a contribution to the progression of topical avant-techno than a tracing over of what’s already been accomplished. (http://lobitlandscapes.org)
(Andrew Earles)