B-Lines – s/t 7” EP (Nominal)

Most people obsessed with music have specific memories of bands that opened the DIY door for them. In that regard, I can see Vancouver’s B-Lines making great scene fertilizer for some impressionable kids. Their debut 7” crams in six bursts of snottily-voiced hardcore punk with some insidiously infectious hooks, though it shares a common border with pop punk on the tasteful side. The recording is a bit raw but balanced, which is a refreshing break from all the four-track racket going around. The guitars are overdriven, but not heavily distorted, and the singer’s voice sounds unaffected, with real squeaks and cracks, drums are loud and have an energetic punch. Imagine Canada’s other great snot factory, Career Suicide, lightened with some of High Tension Wires’ energy, writing Creep Records style punk. Along those lines, it looks like Nominal Records is doing for Vancouver what Creep did for Pennsylvania, documenting an interesting thriving scene. 445 copies on marble white. (http://www.recordsnominal.com)
(Killedbyjeff)